I wouldn't categorize Solar Ash as an easy game, as many of the platforming challenges require precise timing with limited leeway for missing jumps. Crucially, when you are trying to make progress, the level of challenge is usually reasonable. But none of that would matter if it wasn't fun to just dance along the clouds without working toward a particular objective. Sure, each of the half-dozen or so areas Rei has to explore introduces unique visuals and mechanics, such as quickly transporting spores between color-coded mushrooms to open doors. What makes Solar Ash sing is how wonderful it feels to simply exist in these spaces. All of these moments beg you to keep your finger on the skating trigger as much as possible so you can keep generating the momentum necessary to make each jump, and more importantly, to look cool as hell while doing so. Effortlessly gliding around on galactic clouds, grinding on rails as they take you around the exterior of a dilapidated skyscraper, and hopping between gravity-defying platforms leading to a upside-down graveyard in the sky make up just a few of the delightful set pieces scattered around the Ultravoid. In its best moments, Solar Ash has to be played to be believed. Meager bonuses or not, I highly recommend following the plot threads and seeking out those collectibles, because you'll be rewarded with excellent writing and voice acting that deepens your connection to the story. Finding optional collectibles that tell the story of each missing Voidrunner will net you new suits with minor bonuses like a reduced boost cooldown, but your toolset at the start of the game is identical to the one you have at the end. Rei never unlocks new abilities or significantly alters her existing ones. Grappling around generally feels fluid and responsive, though the default range could stand to be a little longer when you aren't sipping on time juice. The last move in Rei's arsenal will slow time down for a few seconds and extend the range of the grappling hook to give the player a little more margin for error, but that's purely optional for most of the game.
Solar ash all suits zip#
She can also double jump, quickly boost forward with a press of the right trigger, and use a grappling hook to zip to specific points in the environment. Rei's default movement speed is slow and not especially useful, but hold the left trigger and she starts elegantly skating with her rocket boots, giving you enough momentum to reach the next platform. It sounds simple and repetitive on paper, but what makes it work is an immaculate set of platforming tools bestowed upon the player at the start of the game. This is accomplished by wandering around each freely explorable zone and looking for points of corruption that can only be washed away by clearing quick platforming challenges. After a brief tutorial, you'll spend the rest of Solar Ash exploring a handful of zones that spoke out from a central hub area, finding ways to clear out black, oozy alien corruption, power up the Starseed, and find out what the hell happened to your homies. Rei crash lands in the Ultravoid to find all of her colleagues missing in action and a potentially planet-saving device called the Starseed lacking the power it needs to function. The star of the show is Rei, a member of a faction of "Voidrunners" who have taken it upon themselves to explore a massive black hole, the Ultravoid, and find a way to stop it from consuming their nearby home planet. The Ultravoid contains the remains of several dead planets. I have a lot of love in my heart for grandiose 80-hour productions, but at the end of the day, it's hard to pull me away from a game where pretty much all you do is dance around on rocket skates in decaying sci-fi societies for six hours. Developer Heart Machine's sophomore effort (after 2016's brutally difficult and aesthetically masterful Hyper Light Drifter) is a pure 3D platformer in a world where those aren't nearly as big a deal as they once were.
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That's a big part of why Solar Ash stayed on my radar in a holiday season full of games with bigger names and bigger budgets. I'm pretty sure my first video game was Super Mario 64 (my sincerest apologies if that makes you feel old) and I've always found hopping between surfaces in video games to be innately pleasurable.
They only needed platforms and a way to jump between them.
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In decades past, video games didn't need guns, maps filled with icons, arcane upgrade systems, or loot treadmills.
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